Monday, 1 Sep. 2025 Tuesday, 2 Sep. 2025 Wednesday, 3 Sep. 2025 Thursday, 4 Sep. 2025 Friday, 5 Sep. 2025
Morning   DraCor Corpora Conference Workshop on Computational Drama Analysis DraCor Barcamp DraCor Open Co-Working (optional)
Afternoon DraCorOS Training Sessions DraCor Corpora Conference Workshop on Computational Drama Analysis DraCor Barcamp DraCor Open Co-Working (optional)
Evening Opening Keynote by Clarisse Bardiot   Get-Together    

Monday

DraCorOS Training Sessions

(details to follow)

Opening Keynote by Clarisse Bardiot (Université Rennes 2)

Tuesday

DraCor Corpora Conference

9:15–9:30 · Reception and Welcome Coffee

09:30–11:00 · Session I

  • NeoLatDraCor (Julia J. Beine)
  • Digital Lacy (Lou Burnard)
  • ArDraCor (Ulrike Henny-Krahmer, Gimena del Rio Riande, Laura Volkind, Romina de León, Nidia Hernández, María Teresa Ravelo Sánchez)
  • HunDraCor (Szemes Botond)
  • IbsDraCor (Nina Marie Evensen)
  • CETHEFI (Olivier Aubert, Françoise Rubellin)

11:00–11:30 · Coffee Break

11:30–13:00 · Session II

13:00–14:30 · Lunch Break

14:30–16:00 · Session III

  • DutchDraCor/CENETON (Lucas van der Deijl)
  • FreDraCor and EngDraCor (Frank Fischer, Luca Giovannini)
  • CalDraCor (Antonio Rojas Castro)
  • ItaDraCor (Frank Fischer)
  • CzeDraCor (Petr Pořízka)
  • SpanDraCor (María Teresa Santa María Fernández, María Ángel Somalo, José Torres, David Merino, Patricia García Sánchez-Migallón, Zoraida Sánchez, Guadalupe Frutos)

15:45–16:00 · Coffee Break

16:00–16:45 · Wrap-Up and Outlook

16:45–17:30 · Free Exchange

19:00 · Dinner (self-paid)

Wednesday

Workshop on Computational Drama Analysis

9:00–9:50 · Arrival and Registration

9:50–10:00 · Introduction

10:00–11:30 · Session I

  • 10:00–10:30 · The Case of Heinrich von Kleist: Methodological Consequences of Computational Approaches to Literary History (Benjamin Krautter)
  • 10:30–11:00 · Mapping the Dramaturgical Arc: Computational Approaches to Comedy and Tragedy (Botond Szemes)
  • 11:00–11:30 · Stage Configurations and Dramatic Rhythm: Computational Dramaturgical Analysis of Ludvig Holberg’s Comedies (Ulla Kallenbach, Anna Lawaetz)

11:30–12:00 · Coffee Break

12:00–13:00 · Session II

  • 12:00–12:30 · Small Large Language Models for Digital Humanities Tasks – The Bechdel-Wallace-Test on the DraCor as a Model Case (Thomas Jäger)
  • 12:30–13:00 · Evaluating MCP-empowered LLM Usage of the DraCor API (Ingo Börner, Daniil Skorinkin, Henny Sluyter-Gäthje, Peer Trilcke)

13:00–14:00 · Lunch Break

14:00–15:30 · Session III

  • 14:00–14:30 · Towards a Computational Approach to News-Bringers in Ancient Greek Tragedy (Charles Pletcher)
  • 14:30–15:00 · Modeling Imitatio. Character Alignment and Adaptation Strategies in Early Modern Drama (Lucas van der Deijl)
  • 15:00–15:30 · Ecologies on Stage (Mareike Schumacher, Marie Flüh, Felix Lempp)

15:30–16:00 · Coffee Break

16:00–17:30 · Session IV

  • 16:00–16:30 · Annotating Digital Traces of Performance: Methods and Approaches (Pantelis Michelakis, Claire Kenward, Mike Kelly)
  • 16:30–17:00 · Sentiment Analysis of RusDraCor with BERT-Based Models: Exploring Emotional Tendencies of Russian Drama and Method Limitations (Ksenia Anisimova)
  • 17:00–17:30 · What Does Drama Sound Like? (Svenja Guhr, Nils Reiter, Janis Pagel)

19:00 · Social Dinner

Thursday

DraCor Barcamp

(details to follow)

Friday

DraCor Open Co-Working

(details to follow)